— Cyborg of Secular Koranism (@Book_of_Rules) April 10, 2025
1:00 Adam Green and Nazi talking points
2:00 Secular Koranism
CHAD joins.
3:00 We are mostly between good and evil.
4:00 No free will in heaven.
5:00 The afterlife
8:00 Hostility to wrongthink
9:00 Raising low white birth rates
10:00 History is written by the victor.
11:00 E Michael Jones on the Jewish Revolutionary Spirit
12:00 EMJ is using Jews to beat the Protestants.
13:00 Even European monarchs rebelled against the Catholic Church.
14:00 Failure of Christianity, Liberalism, Nationalism and Communism
15:00 Agnostic Theocrat
Orderly transfer of power
16:00 Idolatry
17:00 Jews and Muslims still too scared to question the Trinity.
18:00 Ego death
19:00 The appeal of Christianity to unprincipled and emotional people
20:00 Peasants' rebellion
21:00 Christianity is a Gordian knot of neurosis.
23:00 Sanskrit and the dactylic hexameter
A dactylic hexameter is a metrical pattern commonly used in ancient Greek and Latin epic poetry, most famously associated with Homer’s Iliad and Odyssey. It consists of six metrical feet (hexameter) per line, where each foot is typically a dactyl—a stressed syllable followed by two unstressed syllables (e.g., DUM-da-da). However, in practice, the line can include substitutions, such as a spondee (two stressed syllables, DUM-DUM), especially in the first four feet. The fifth foot is almost always a dactyl, and the sixth foot is usually a spondee or a trochee (DUM-da), giving the line a rhythmic closure. This structure creates a flowing, musical cadence suited to oral recitation, a hallmark of epic storytelling.
Link to Homer
Homer, the semi-legendary Greek poet (circa 1200 BCE), composed the Iliad and Odyssey in dactylic hexameter, which became the standard meter for Greek epic poetry. This choice wasn’t arbitrary; it mirrored the natural rhythm of spoken Greek and lent itself to memorization and performance by bards. The meter’s flexibility allowed Homer to weave complex narratives while maintaining a hypnotic, chant-like quality. Later poets, like Virgil in the Latin Aeneid, adopted it, cementing its status as the “heroic meter.”
Link to Sanskrit
The connection to Sanskrit lies in the shared Indo-European linguistic and poetic heritage. Sanskrit, the liturgical language of ancient India, underpins the Vedic hymns (e.g., the Rigveda, composed circa 1500–1200 BCE) and later epics like the Mahabharata and Ramayana. While Sanskrit poetry doesn’t use dactylic hexameter specifically, it employs a variety of quantitative meters based on syllable length (long vs. short), similar to Greek prosody. For instance, the anustubh meter (common in the epics) and the more elaborate trishtubh (used in the Rigveda) rely on patterns of heavy and light syllables, echoing the Greek system.
Scholars see a deeper link through Proto-Indo-European (PIE), the reconstructed ancestor of Greek and Sanskrit. PIE likely had a pitch-accent system and rhythmic oral traditions, which evolved into the quantitative meters of its daughter languages. The dactylic hexameter may reflect an inherited tendency toward structured, syllabic rhythm, adapted to Greek’s accentual patterns. Meanwhile, Sanskrit developed its own sophisticated prosody, codified in texts like the Natya Shastra. Though the meters differ, the emphasis on oral performance and mnemonic rhythm ties Homeric poetry to Vedic recitation.
In short, dactylic hexameter is Homer’s signature meter, rooted in Greek tradition, while its connection to Sanskrit is indirect—stemming from a common Indo-European legacy of rhythmic poetry tailored to epic and sacred expression.
26:00 Christianity corrupted the morals of the people.
27:00 Akhnaten's monotheism
28:00 Ethical monotheism
29:00 Noahide laws
30:00 Standards of sexual morality
31:00 The importance of responsible married parenting
32:00 Neurotic Jews and gentiles
33:00 Continuous failure of Christianity
34:00 Are Jews magic?
35:00 Zionism
36:00 Anglo- and Britsh Israelism
37:00 ADL and AIPAC
39:00 Jerusalem by William Blake
40:00 Self-hating Jews
41:00 Christian logic
42:00 The Trinity
43:00 Edict of Thessalonica
44:00 Arianism is easier to believe than Trinitarian.
46:00 Christendom ended in 1918.
47:00 Triz
48:00 Divide and rule
49:00 Increasing divisions using words and weapons
51:00 Gulf kingdoms
52:00 Ethical monotheism
Thomas Jefferson
53:00 The Abrahamic God
54:00 Academic priesthood
56:00 Hegel and Kant
57:00 God is logical.
58:00 The nature and purpose of religion
59:00 OVERLOOKED joins to propose making up a religion.
1:04:00 AI
1:07:00 Reinventing God
1:08:00 Existentialism
ROBERT COBB joins and mentions Nietzsche.
1:09:00 Gnosticism
1:13:00 Ubermensch
1:14:00 Racial supremacist
1:17:00 New revolutionary ideas
1:18:00 Paid shills
1:19:00 Antisemitism, White Nationalism, black/white, right/left etc are paid.
1:20:00 People jumping to conclusions
1:22:00 Race is a social construct.
1:23:00 International level
1:24:00 Bob Dylan in Greenwich Village
Shakespeare
1:25:00 Genius flourishes monarchy.
1:26:00 Romantic and Homeric
1:27:00 Ancestors
1:28:00 Enforcing the rules
1:29:00 Feminism
1:30:00 Supreme authority and hierarchy
Catholic Church
1:31:00 Monarchy or republic?
Men want their daddy.
1:33:00 Unifying humanity
1:34:00 Woodstock
1:35:00 Academic priesthood with a committee
1:36:00 Lawyers, bankers, economists
1:37:00 The worship of Mammon
Spiritual monarch
1:38:00 Politburo Standing Committee
1:40:00 Morality is a system of rules designed to keep the group in existence and apart from others.
1:41:00 Hippy world
1:42:00 Keep it simple for the sheeple.
1:43:00 Academia
1:44:00 Sacrificing for a principle
1:45:00 Category of afterlife
1:46:00 Slave society
1:47:00 A stake in society
1:48:00 Women
1:49:00 Ann Coulter
1:50:00 The enemy is within.
1:51:00 Ancestral ideas
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